Thank You!

Soundscapes will be closing permanently on September 30th, 2021.

Open every day between Spetember 22nd-30th

We'd like to thank all of our loyal customers over the years, you have made it all worthwhile! The last 20 years have seen a golden age in access to the world's recorded music history both in physical media and online. We were happy to be a part of sharing our knowledge of some of that great music with you. We hope you enjoyed most of what we sold & recommended to you over the years and hope you will continue to seek out the music that matters.

In the meantime we'll be selling our remaining inventory, including thousands of play copies, many of which are rare and/or out-of-print, never to be seen again. Over the next few weeks the discounts will increase and the price of play copies will decrease. Here are the details:

New CDs, LPs, DVDs, Blu-ray, Books 60% off 15% off

Rare & out-of-print new CDs 60% off 50% off

Rare/Premium/Out-of-print play copies $4.99 $14.99

Other play copies $2.99 $8.99

Magazine back issues $1 $2/each or 10 for $5 $15

Adjusted Hours & Ticket Refunds

We will be resuming our closing sale beginning Friday, June 11. Our hours will be as follows:

Wednesday-Saturday 12pm-7pm
Sunday 11am-6pm

Open every day between September 22nd-30th

We will no longer be providing ticket refunds for tickets purchased from the shop, however, you will be able to obtain refunds directly from the promoters of the shows. Please refer to the top of your ticket to determine the promoter. Here is the contact info for the promoters:

Collective Concerts/Horseshoe Tavern Presents/Lee's Palace Presents: shows@collectiveconcerts.com
Embrace Presents: info@embracepresents.com
MRG Concerts: ticketing@themrggroup.com
Live Nation: infotoronto@livenation.com
Venus Fest: venusfesttoronto@gmail.com

We apologize for any inconvenience this may cause. Thank you for your understanding.

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Other Music
Last Month's Top Sellers

1. TAME IMPALA - The Slow Rush
2. SARAH HARMER - Are We Gone
3. YOLA - Walk Through Fire
4. DESTROYER - Have We Met
5. DRIVE BY TRUCKERS - Unravelling

Click here for full list.

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Thursday
Nov182010

STORNOWAY - Beachcomber's Windowsill

This one has been kicking around for a few months and was a big hit with us here, with both staffers and whoever happened to be in the shop inquiring, who is this? For me, it quickly jumped from album of the week to a contender for pick of the year.

What is remarkable about this album is how incongruous it is, however unassuming it may seem at first. The band is led by Brian Briggs, whose soaring voice and songwriting style had my mind reaching back to certain late-'80s indie acoustic acts as reference points. It took a while, but I finally recalled the Trashcan Sinatras, a highly unlikely launching point at this juncture of the indie continuum, combined with songwriting chops comparable to Neil Finn (“Fuel Up”) and a tendency toward unusual instrumentation and textural sound effects. There’s even a bit of early, clangy Velvets in the verses of “Watching Birds.”

Where some contemporary bands slather on the overdubs to the disservice of the song, with Stornoway the majesty of the songs is never lost, even in the midst of their more obtuse sonic layering, thanks to the gift of subtlety. Case in point: “Here Comes the Blackout”, easily one of my tracks of the year, is a two-minute burst of flawless songcraft, dressed up with boing-y guitar and sparkling synths, which, in the final repetitions of the chorus, features the sounds of vegetables being sawed to pieces (not that you’d notice it the first, second, or third time, but that’s exactly the point). “Watching Birds” wraps up with a kazoo solo, while “Fuel Up” gets coloured with dulcimer, and “Zorbing” gets obtuse with Gregorian backing vocals and brass arrangements.

This is an album that rewards the listener more and more over time, with the power of the songs and the sincerity of the performances a welcome antiseptic to a time when the sheer weight of pop music history makes it very difficult to create songs that are both memorable and original without hiding behind bludgeoning production trends. Thoroughly refreshing as it is uplifting.

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