"The truest testament to a song’s power is how it plays with others. Songs written by the performer are more likely to land in the singer’s stylistic and vocal wheelhouse; take away that crutch to witness the song’s true strength and character. So while Tom Waits’ genius has been beyond dispute for at least a quarter-century, hearing his songs performed by the dozen female artists of “Come On Up to the House: Women Sing Waits” casts new light on their brilliance.
Freed from Waits’ gravelly, way-down-in-the-hole brogue, his female interpreters discover dramatic new shapes and colors within them. Were the songs not almost literally cut from the same cloth, one might worry that the range were too wide, rather than marveling at the adaptability of the songs and their singers...
...Such fine material in the hands of skilled interpreters is a delight. It isn’t even necessary to be familiar with the originals to enjoy this collection. There’s hardly a bad apple in the dozen and the sequencing seems to amplify the songs’ dogged, hopeful mien. If there’s a quibble, it’s that five of the 12 tracks are from “Mule Variations,” which feels like too much given the breadth, quality and depth of Waits’ catalog.
This is such a terrific effort, it would not be surprising if it spawns a raft of imitators. Given the present-day wealth of talented female singers, it seems obvious to reinterpret a variety of feted male artists from a feminine perspective. “Women Sing Waits” sets the idea off to an inspiring start." - Variety