A release wherein the bedroom dream pop project of Jack Tatum looks to grow even further beyond the widescreen ambitions of 2012's lovely Nocturne.
"Structure and connection seem to have become an increased priority for Tatum. The track sequencing is impeccable, and another element of Life of Pause that feels distinctly ‘album era’: the building opener, taking the energy up a step, then slowing it down with the third song, and so forth. Meticulously dissecting and reconstructing the familiar has been one of Wild Nothing’s strengths from the start. A chemistry built on a fine balance can be easily tipped, however, and it would be fair to wonder if the act of opening up the floor to more influences might leave less room for Tatum’s own voice.
A response might be found in “Adore”, which strums and tumbles together in vintage late ‘60s psych pop fashion, but glides above the realm of mere tribute. If Wild Nothing’s deepening playbook of new wave and half-remembered era staples ring familiar, filtering them through Tatum’s refined sensibility brings out something distinct. Getting the conspicuous but good-spirited nick from Talk Talk’s “It’s My Life” in “To Know You” out in the open early was for the best. The more covert operation at hand is to get people listening to Haircut 100 and Altered Images with fresh ears. Plus, if the marimba-surfing “Reichpop” (a titular nod to the minimalist composer Steve Reich) that kicks off Life of Pause is any indication, further change is already coming." - Popmatters